Winner - Best Drone Film (2021) - Fist Full of Films Festival

This video captures a pivotal stage in my career. Produced at the height of my adventures across the Northern Territory from 2019 to 2021, it helped put the MKH VA brand on the map and showcase my passion for adventure filmmaking. At this stage, creating cinematic adventure content came with a steep learning curve, equipment was expensive, travel was demanding, and building a sustainable production business required more than wildlife and nature content alone. I realised that to grow professionally, I needed to master brand storytelling, business content, and corporate production, the skills, workflows, and expertise that make a production company reliable, consistent, and capable. Once those skills were learned, equipment acquired, and a studio built, the plan was always clear: to return to adventure filmmaking and create professional, cinematic storytelling content that reflects my passion, creativity, and experience.

Winner of Best Drone Film (2021) at the Fist Full of Films Festival, Droning the Northern Territory is a striking example of music-driven aerial cinematography, capturing the scale, movement, and atmosphere of the NT with sweeping landscapes and remote terrain from perspectives few experience.

Filmed in regulated environments and in full compliance with CASA and National Parks requirements, this project demonstrates MKH VisualAspect’s ability to operate safely and professionally in remote locations, delivering breathtaking results.

This video was filmed as part of a 6-episode docu-series with Hit and Run Productions for the Discovery Channel, early in my career. It was a huge leap forward, teaching me how large-scale productions are operated and revealing the skills required to run a professional production business.

On this project, I co-hosted Legends of the Wild alongside Damian Duffy, travelling to five countries to film and help people solve wildlife mysteries in remote locations. One of the biggest skills I learned on-set was talking to the camera, communicating clearly, confidently, and naturally while engaging an audience, an essential ability for presenting stories and building trust on-screen.

From pre-production planning to on-location cinematography, every experience on-set gave me practical knowledge, technical expertise, and problem-solving skills that now underpin MKH VisualAspect. This foundation allows me to deliver reliable, professional, and cinematic content across wildlife, adventure, and commercial projects with confidence and precision.

This video was produced for The NT Recap, a local production delivering weekly news highlights from across the Northern Territory.

For this project, MKH VisualAspect teamed up with Damian Duffy to create a dedicated segment called HITTING THE NT. Across one season spanning eight episodes, we travelled to some of the Territory’s most incredible locations, showcasing the landscapes, experiences, and stories that make the NT such a unique place. This video is the final episode of the series, a recap of our eight-week adventure that highlights some of the most memorable moments captured along the way.

Presenting to the camera was a key element of the series. Having previously co-hosted the Discovery Channel series Legends of the Wild together, Damian and I brought a level of confidence, professionalism, and on-screen presence that helped shape the segment into an engaging, energetic segment for viewers.

From a production perspective, HITTING THE NT demonstrates how a dedicated digital series can be developed for a company, organisation, or brand. By combining cinematic visuals, direct-to-camera hosting, drone cinematography, action sequences, and dynamic time-lapses, episodic content like this builds audience connection, brand personality, and long-term engagement.



It’s a format that proves how storytelling, adventure, and consistent content delivery can work together to turn a simple segment into an ongoing series that audiences look forward to watching.

This film represents the very beginning of my journey behind the camera. Shot of a Lifetime tells the story of transitioning from pearl farming to filmmaking, and it was the project that first brought attention to the MKH VisualAspect brand around 2018–2019.

At the time, there was no high-end equipment, no advanced production setup, and no large budgets. The footage was captured with whatever cameras and lenses I could afford, and I learned the craft by simply getting out there and filming as much as possible. In many ways, it was as amateur as it gets, but it also represents a critical moment in the journey.

This project embodies an important lesson for anyone starting in filmmaking: use what you have and start creating. The gear will improve over time, skills will develop, and opportunities will follow, but the most important step is to pick up a camera and capture the best content you can with what’s available.



Looking back, this was the moment I realised that imagery wasn’t just something I enjoyed. It had become an obsession. That obsession became the foundation for everything that followed, ultimately leading to the creation and growth of MKH VisualAspect Productions.